fortune telling

It occurred to me this morning that this day is our fourth child's due date. It seems strange at how much has changed since we miscarried. I have such tenderness there for that missing person. My body woke up bleeding again, another new moon after all. Just noting that the baby was missing, a little blood shed today to honor him. I wouldn't have remembered the day except it is my husband's birthday. Yes, our fourth child was due on his birthday. Lucia was due on my birthday. Both of them died.

A few weekends ago, I had a medium tell me that our miscarried baby was actually a boy, and his name, which was actually the only name we had chosen for the baby, if he was a boy. I am writing about psychics and fortune tellers at Glow today, because I consulted a few (thousand) since Lucia died. Not actually, but more than I admit in mixed company.

photo by an Untrained Eye.

In the past, I have been a farm girl. In the future, I will be silver and bald and eat beer pellets for breakfast.

Go over to Glow now, and talk about your experience with psychics and whatnots.

mothers

My mother' home bursts with magic. Pheasant feathers and gourds in an antique glass vase. Moss growing in the sacred circles of her brick patio. A skull and a broken pitcher near the garage. The pitcher used to hold spider plants growing long tentacles in water on their way to earth. Somewhere between a glass of water and a pot of soil. There is a cauldron with a dead plant coming out of it under the nectarine tree. She has a makeshift altar above her sink. It has a chalice of water for her spirit guide and Buddhas she finds at flea markets. One looks like ivory and she tells me how she bought it for a few bucks.

The sunrise here is a marvel and the coffee tastes different, like cozy socks and a hug, even though the robusta beans coat my tongue with extra caffeine. My mother and I talk and talk about psychics and spirits and grandmothers, Of emigrating, moving, changing space. We talk about retirement and staying home and my childhood. Then, she mentions to me in passing that mother-daughter relationships are complicated, and I chuckle. Heh heh, yeah, Mama, I heard that once.

My children run through the yard like wild things--they climb trees and track rabbits. My mother tells my daughter she used to kill birds with a slingshot and roast them in the cemetery. She grew up poor and my daughter's mouth gapes open in amazement. My daughter spots a woodpecker in the valley. We sit by the stream, tossing red leaves into the current as the visiting neighbor's weiner dog barks. We climb over the weeping willow the hurricane tossed out of the earth. I used to sit under that tree and play guitar in the summer. My stepfather is non-nonplussed. "I'll put another one in. This bank was too loose. In spring, I'll put in a cutting up a few feet in sturdier ground." I strum my daughter's favorite song there anyway, while she sings.

Oh, my Mama. 
She gives me 
These feathered breaths. 

I made my way here on Wednesday morning to pick my mother up from the hospital after surgery. My step-father received a call when she was rolled into surgery that his mother was not going to last much longer than a week. She could no longer eat, or drink, and the morphine was all they could do. She died an hour after my mother and I arrived home from the hospital. She is the last of the grandmothers in my family. The last of that generation. Sixteen years ago, my paternal grandmother died at 67. My mother's mother died at 95 two months after Lucy, now my step grandmother at 86.

While I mourn for my stepfather, cry with him, his mother suffered from the death that most of us fear. Forgetting our husband and children, experiencing the indignities and humiliations of rotten people and a body betraying its soul. She was surrounded by love, though, and she was never want for anything. I wonder if there is a good death and what that would look like.

The children and I tramp through the woods, and my daughter points out that in the summer this place is filled with poison ivy. She tells me a story about my own childhood. It is the story about poison Sumac. I couldn't see well because my face was so swollen. My aunt had to take me for the day, while my mother worked. My Titi, as I called her, had no idea what to do with me, so se taught me to dance the cha-cha with a record and a mat with feet prints. My mother waits for the children and I at the top of the hill, right by the sweet cherry tree. My children call to her, "Abuelita, Abuelita, we walked through the poison ivy." I want to be an abuelita some day.

My daughter's death was as good as it gets. It hits me. She died in her mother. She never feared. And we loved her like she was going to live forever. There was never pity or grief in the love. But still, how good can it be if you never really got to live?

Being in my mother's home soothes something broken in me. My mother rubs in salve and aloe when she makes white rice in the same pot she's been making rice in for forty years. She puts on another pot of lentils, despite my protestations. She just had surgery. She doesn't have to make my favorite meal, but she insists. We talked about making rice. She taught me when I went to college, but it still took me many years to make it like her. She breaks off sofrito from the freezer and adds a can of tomato sauce. She tells me about being the second youngest of twelve and learning to cook Panamanian food in America. I watch the birds out the window beyond her shoulder, and think that this land is the land of my mother, even if it is far away from the land of her birth. But it is both for me. I feel attached to this land. I dug my feet into the dirt this morning, the dew almost frozen hurt my feet, but I refused to move.

This is the land of my people.

As I stood there, I realize that the hardest part of writing is learning you are mediocre. And in that mediocrity, you still sometimes nail a good phrase or two. You sometimes write something amazing. But mostly, it is just mediocre. But the world is constructed of mostly mediocre. It is part of the suffering. You feel the extraordinary bubbling underneath its surface, but it hasn't (or perhaps never will) quite burst through you. It is like rice-making year three. The phase in which you change from mother to grandmother.

protection from leaving a trail

We raked the leaves from the hurricane. Rather than having the tree drop them all, the hurricane winds pulverized the leaves in the backyard. Bits of yellow and green, like herbs seasoning our land.  Granulated tree.

Everything I start to write seems useless, trite, redundant. I stand arms by my side, looking west, like an Easter Island head. There is something there beckoning me. What comes out of me lacks color. I sketch everything in vine charcoal. Nothing color, just grays. It is all easily smudged. And yet what is inside of me is bubbling and vibrant. I just cannot translate it. It is indigo and violet and smells of cedar and sage and pinecones. Between inside and outside, I feel restless, depressed, because writing has always come easily. I don't have writer's block, per se. But the past few weeks, I have felt stuck in my language. It is not enough. I need twenty-four words for the idea of identity and restlessness. Nothing is quite right. When I meditate and sit still with my discomfort, I see corn fields spread around me. Signs of fertility and prosperity, but to me, it is a sign of home. While I love many things about our town and neighborhood, I miss wide open skies and spaces to run. Though place has never meant a terribly great deal to me, the suburbs are driving me gray and fat. I can't muster the energy to leave the house anymore. I cannot get excited about the farmer's market and the dying lake.

Wherever you go, there you are, as the saying goes. Or not matter how light you pack, you always take your shit with you. That's another saying. But I don't want to run away. That is not my goal. I am tired of New Jersey and no left turns. I crave wide open swaths of land in which to roam. I have nothing to offer here, and here has less to offer me than before. I want to watch the children run, learn the land, tend a large garden. I want them to learn to track and build lean-tos. To have moonlit rituals without people asking me what the fire was for and why we were dancing. I pace my cage. There is a fish aquarium quality to the suburbs that unnerves me. Our dining room windows look out on our neighbor's unfinished house. From the windows to their driveway is fifteen feet. I must pull the blinds if I don't want people to wave to me inside my own house. I hear the idle gossip from Facebook and texts and who gets invited where, and I just want to opt out now. 

My feet crave earth beneath them. My fingernails call to plants to break them down. I chew them now, because outside work used to keep them short and sweet. I want to talk about canning food and chopping firewood. I want to talk about existence rather than boredom. I want to help raise barns, if I have to interact with my neighbors, not hear fat jokes, and chitchat about who has what and how much. Around here, the trees are all being removed. It makes sense. Our land is too wet to support such large trees, which uproot in hurricanes and winter storms. I mourn each one, even as I know the necessity of removing them. It is this place that demands it. And I think I want a place that can handle large trees. I crave a surrounding that venerates solitude without whispers or fear of depression. I don't want to fit in. I just want to be. These suburbs beg for peering out curtains and drawing conclusions. I engage in it too, and it is a part of myself that I hate.

I read this book recently called the Snow Child. It opens with a stillbirth. Set in 1920s, it is about this infertile couple who decide to homestead in Alaska, because they can no longer handle the world after the death of their only son. They want to be alone. Completely, utterly alone. Until they make a snow child who comes to life.

It took me months and months to read this book. I would start it. When the stillbirth was mentioned, I would place it aside. I no longer want to read solely about this heartbreak I know intimately. No longer. And yet, the book was not about stillbirth at all. Just one part of their story. And the rest of it, I got it. I wanted that self-sufficiency of an Alaskan homesteader in 1920. I understood the way stillbirth makes you crave mere existence, rather than the idleness of wealth and comforts. As I read, I coveted the harshness of winter, the land that runs for months around that. The part that is most decisive and positive of what is needed and important. I am mostly indifferent, and wishy-washy here in this life, because nothing seems that important or life altering. Do I want to eat at Cheesecake Factory or Applebees? Do I want to shop at Lowe's or Home Depot? 

I move through this life after Lucia's death. Stillbirth is just one part of my story, but it is the bend in the road. The thing that reprioritized everything. That part of me, the one before Lucia, falls on my soul yard pulverized. I keep thinking of that Pema Chodron quote, "Only to the extent that we expose ourselves over and over to annihilation can that which is indestructible be found in us." And maybe I am ready to move past the annihilation and into that which is indestructible. That part of me that seeks aloneness is getting louder and louder. May I not leave a trail.

frida muerto face

Technically, today is Dia de los Inocentes, or Dia de los Angelitos. The day of the innocents. The day we remember that children and babies that died. So, remembering them all. Honoring them all. It is also All Saint's Day. Tomorrow is All Soul's Day and Dia de los Muertos. I paint my face every year. And in my part of the United States, Halloween was cancelled, or rather postponed until the 5th of November. Tomorrow there is a Halloween parade at school. Anyway, we had been housebound for the last few days because the hurricane ripped through our state, causing devastation and mass destruction. It is really horrible. My thoughts and prayers are with the people down the shore. I'm not complaining about it, but just explaining that we had been in the house, bored, wanting to celebrate Halloween, Samhain, and Day of the Dead.

Yesterday, my sister and her kids came over and I painted everyone's face like a calavera. Then we took pictures. We thought it would be totally creepy to take a family portrait this way. Like one of those fake olde tyme pictures you take on the boardwalk, except my daughter is wearing a Hello Kitty shirt. We posed in front of our Day of the Dead altar. I wish you could see my sister's tattoo. It is very cool Frida calavera.

Okay, yeah, the picture is a little creepy. But also makes me feel blessed to be in this family. If I die young, I hope they keep doing this in my honor and in Lucia's honor.

For the past five years, I have dressed like Frida Kahlo for Halloween, and the last few it has been Frida Muerto. I do this to honor her, commune with her, help channel her energy and power. She is a constant inspiration. We have a children's book called Frida, which is about Frida Kahlo and her life. My kids love that book, and in it, they say that Frida loved her eyebrows because they look like a bird flying. So, I painted my eyebrows like that book, carrying a thorny rose, because my daughter's life and death feel like that to me.

In the spirit of still life everyday, I created a little how-to video on how to create a very easy Frida Kahlo Day of the Dead look from the shoulders up. From the shoulders down, you should wear some kind of peasant dress and large necklace.





Post your calavera faces here. I would love to see your work.

i am stretched on your grave

I am stretched on your grave,
     And will lie there forever.
If your hands were in mine,
    I'd be sure we'd not sever.
My apple tree, my brightness,
    Tis time we were together,
For I smell of the earth
   And I am stained by the weather.

When my family thinks
    That I'm safe in my bed,
From night untill morning,
    I am stretched at your head,
Calling out to the air
    With tears hot and wild,
My grief for the girl
    That I loved as a child.

The priests and the friars
    Approach me in dread
Because I still love you,
    My love, and you're dead.
I still would be your shelter
    Through rain and through storm.
And with you in your cold grave,
    I cannot sleep warm.


Táim sínte ar do thuama, trans. Frank O'Connor

It is a poem I have never sung to my daughter. I took out the stanza about first love and maidenheads. I loved her in a different way. But I still loved her since before I knew I would ever be a mother.But when I hear it, I cannot help but think of Lucia. I imagine myself, fingernails filled with soil and earth, grasping into the brown grass, prostrate over her little body, weeping a brackish mixture of love and blubbering. Grief is nothing like I imagined. I was less cool than I thought I would be, less composed. I was a mess, bloated and drunk in the early weeks, and later, angry and salty.

She had no grave. We buried her in the wind. Fling her ashes to the sea in wild gestures of release, but palm her tiny urn. It is a slight of hand. Now you see her. Now you don't. We cannot let go.

I prop myself on my elbows, aiming at the gravestone. I drove to Boston for the weekend to meet up with Jess and Julia and Niobe. We ask Niobe to take us somewhere morbid and she picks a cemetery.  There is a stone with a carving of a skull with wings. The angel of death. A calavera. It is the first I see, and quite unself-consciously, that I lie on the grave of a young women, snapping a photo with my Android.

I read her name.

Jane a Negro Servant of Andrew Bord, something or other...She was 22 years old and 3 months. I put my forehead on the space above her skull.

You were someone's daughter, Jane. 
And so today, you are my daughter. 
I am stretched on your grave.
I will lie there forever.

+++

There is a hurricane in town. We pack a bag and make candles. My daughter takes a bottle of rose oil, and spills it across the table. The studio smells like the Virgin Mary. The hurricane grabs a window and forces the mechanism open. I lock it shut again. My roses carry on an elaborate dance outside my kitchen window. And I realize suddenly that I cannot save the roses.

Atlantic City looks gone. I don't miss it. I'm worrying about my own ass right now. I see all these pictures of alcohol and parties pop up on Facebook and miss drinking in a storm. I don't miss drinking, as a sport or a lifestyle. I just miss a nice bourbon now and again. It is like that, isn't it? A cigarette never tastes good after years without smoking, though I have imagined it a thousand times. And similarly, a drink would not end well. It would take me somewhere much worse than the hurricane, but I still wish I were able to have just one (even though I never was able to have just one.) And that is the irony of missing drinking. I miss a kind of drink I never did. I grieve a person I never was.

The power went out for an hour or so, then back on again. Sam lit a fire, and we watched a movie about Alfred Hitchcock and Tippi Hedren. I drank coffee. It is a full moon tonight, and a hurricane is in town and I stretch on her grave, and create an altar for Dia de los Muertos. The lights flicker again, so I leave you with pictures of my altar.

If you have day of the dead pictures, link them in the comments. I'd love to look.

spoken word blog round-up TWO

Last year, I was just blown away by the pieces submitted in the Spoken Word Blog Round-up, and was very excited to do it again this year. So, without further ado...

Welcome to the Second Annual Spoken Word Blog Round-up! YEEHAW!

Please read one of your blog posts, poems, or written word pieces aloud for a camera, post it, and link up here on the Mister Linky. Leave a comment. It is really extraordinary to hear people's inflections, manner of speaking, and connection to the pieces they publish on the internet. I hope you join me. I have read two pieces this year. One from still life with circles called curios. The other is from Glow in the Woods. It is called questions and answers.

curios.

questions and answers.

becoming

A few years ago, Petra sent me a postcard from New Zealand of two fiddleheads formed into a heart. I always keep the postcard on my desk, tucked into the painting I did of an enso. It is a strange, otherworldly image, like two Shinto embryo bowing to each other.

I honor the sacred in you. In the honoring, we become love.

That feeling of unfolding, or unrolling oneself, branches curled inward, aching from the only position we think we must keep, I know that feeling. Those future leaves like hands praying to soon unfurl, to soak in the shadows of forest. To protect me from garden pests.

I curl up in a fetal leaf position. There is a distinctly different part of me, the part you cannot see, that is mired  in the bog underneath, the dark and cold, moist and uncomfortable. I believe I am depressed, but I don't know. I felt this way when I was pregnant with Thomas. Not the same way, but similarly. My head and body contort into the painful clawing of allergy and celiac attacks. I eat wheat to be definitively tested for celiac and rheumatoid arthritis, but it affects every part of me now. I feel soul sick and body sick. Not with a touch of extra mucus, but a dying kind of sick. My whole body aches. I don't want to walk. I want to sleep all day. It sounds dramatic, but it feels dramatic. So, I trudge on, making breakfast, watching movies, ignoring the pain, grumbling. Always grumbling.

I listened to Comedian Tig Notaro on This American Life the other day do a set three days after she found out she had cancer. I am telling you this because I bought the whole thing for $5 on Louis C.K.'s website and listened to it, and it is profound.*

Deeply, overwhelmingly profound.

It isn't simply that she had been diagnosed with stage two breast cancer, it came on the heels of a devastating intestinal bacterial disease that almost killed her, then her mother died, and her girlfriend broke up with her, then she was diagnosed with cancer. When she speaks of this bad news, you can feel it. And yet there is the feeling that you are listening to her unfurl herself, slowly rolling those branches out, even as she is rooted in swampy darkness. She is changing as she is performing her set. I can't quite explain it. You have to hear it, laugh with her, tear up with her. And there is this point, she keeps talking about a joke she had written before her diagnosis that seems stupid now. And I kept flashing back to this point when I sat in a prenatal yoga class and I said, "All you need to give your baby is love. Everything is going to be okay."

Remember that? Remember when you felt like the first thirty some odd years you thought babies lived? You were stupid, but you meant well, Angie.

I barely recognize that woman. I am in this huge unfurling process right now--figuring out who I am, what I want, who I need to be. I like who I am becoming. I can feel her, see her, embrace her. Sit with her. But the becoming is a bitch.

*Ironically, I have been writing this short post all week, and TracyOC wrote about this piece too on her blog.

pomegranate

I am over at Glow in the Woods today writing about Demeter and Persephone and Lucia. And naturally, of  the noble pomegranate.

photo by hurleygurley

tree

Mama, was I wish you once made?

Yes, my baby.

Was I wish on a star or on a dandelion?

You were every wish I ever made on anything I could wish upon.

Was I born a fairy or a girl?

A fairy, my angel, with little invisible wings. Your fairy power is to make everything bright and lovely. You do that by being exactly who you are.

It is?

Yes, my baby.

Mama?

Yes, my love.

Can we pray to the angels?

Yes, my love. What would you like to pray?

I want to pray that I am kind to my friends and my friends are kind to me.

That is a lovely prayer.

Well, can we pray it?

You just did pray it.

She hands me a drawing and runs off with her yoga mat. She giggles with her friends, and finds her shoes. I glance at the paper, and it is a tree. Not just a tree, but a tree with stars and the word "love" written across every branch. It has hearts and a squirrel climbing the tree. It says, "I love you." and then her name. The drawing looks like a heart exploding with love.

"It is a tree growing love." The yoga teacher explains to me.

"That is beautiful." I'm prone to emoting these days. I hide it behind fidgeting, but I get choked up.

"I told them to draw a seed, " the teacher points to a heart drawn at the bottom of the trunk. "Then they were supposed to draw the tree from it. She wanted her tree to grow love."

"Wow."

"Exactly, WOW. She is such a cool little person. She did that all by herself. I did not prompt her to draw love."

I don't know what to say. I am verklempt. I am proud, amazed at how much she has to teach me every day. I have no right to be proud; she does not belong to me, but I'm proud nonetheless. I wonder some days, when hits and kicks are exchanged and toys are begged for and extra candy stolen, if my compassion-nagging works, if my focus on our highest self, on banishing materialism, on other people, on love is sinking in. I wonder if I am doing anything positive here by staying home. I know the children are safe, but am I showing them every possibility a woman has? Or just one traditional role?

My daughter is a heart. A pumping, beating, lovely heart of a girl I am privileged to parent. And this little crayon picture humbles me. My best self wants to grow love. If my yoga teacher asked me to finish the sentence, "My tree grows..."  My seed might look like God, and my tree compassion. Those things are intangible, un-drawable. Unable to be articulated nor drawn, and if pushed further, perhaps I would have drawn a tree sprouting love too. My best self likes to think so.

There are days I feel so alone on the Island of Kid. I woke up this morning, for instance, and watched the Backyardigans before I realized that the kids had left the room. I was thinking about race and little creatures dancing together and what this show teaches kids. I sing songs, and tease them. Sometimes I lose my temper and say things like, "I am incredibly disappointed in this behavior." And then tsk, and wish that shame were not my go-to. I leave the laundry build up too long. I just really want to go to work some days. It's not that they are not lovely. Or that they are naughty children. They are lovely, and very well-behaved children. It is just that I don't always like who I am--my lack of patience, my selfishness, my extreme introversion. Some days, I just want a nap. I don't like what being home alone all day brings out of me--not every day, or every week, even. But when I get stuck in my head, or I feel busy and bored, and I grumble and growl at the kidlets, I wonder if my being home helps anyone. Some days, I just don't want to think in pink and light blue and clean-up songs or read the same book a thousand times or talk about unicorns and fire trucks. I don't want to decide breakfast, lunch, dinner, and three snacks for myself, let alone three other people and a dog. Those days are much fewer than I imagined before babies, but they come. The guilt comes with it. Because I know this is a choice for us that few families get to make, and Lucia's death makes their living so precious and not taken for granted.

But when she brings me a picture of a tree blossoming love, I know she is bringing me this self-portrait we painted together. The picture of what my parenting is about--the principles we want to bestow upon our children. Choose love, I whisper for five years, little niggling pushes toward compassion. She translated those whispers into prayers. She asked for help with the love and friendship. That is a gift I wanted to give my children--knowing her limitations, asking for help, turning control over. It is a skill I am only now learning. I still find it immensely difficult to ask for help, even as I preach it to my children. But the truth is (and I am sharing it sheepishly with you) this picture answered my desperate prayer:

Show me my path, please. Help me understand how to parent these babies in a way that is best for their souls. Help me be the best mother I can be. Help me understand what I am doing right, not just wrong.

Thank you, Daughter.

habits

The muscles tug at my abdomen.

No, wait, it is my ovary, releasing a withered elderly egg, waiting for a derby hat and an old corsage of a sperm to present itself.

Keep waiting, sister.

The eggs are useless. I think. They have been useless since I decided to stop using them. No, wait, it is the new moon coming. Everything shed. We shed tears. We shed lining. We shed emotions. We shed anger.

I feel fat and bloated and look pregnant. I want to punch people. Stop smiling at me in that stupid, hopeful way. I am not carrying twins. I am just menstruating. 

It is a small death, the blood reminds me. The death of possibility this month. And every month hereafter. We are comfortable not having any more children. It is too risky, and besides, we have no more drawer space. I don't mean to be glib, but sometimes we have to be practical about space and money.

The moon woke me for three days in a row. I had a dream the first night that I was hiding in small dark places, and someone with a flashlight kept finding me, but it was just the moon, shining in mine eyes. Last night, I dreamed I found a crystal ball, then a large metal gazing ball, like in certain yards.

I stuff crystals in my pillow case to dream. But nothing comes. Nothing but dreams of the moon finding me in small places and of being a magpie. I like shiny things. Pecking and gazing. Pecking and gazing. I've been going through this magical sabbatical process. I am turned inside out, open and raw, and also open and raw. The first is a state of mind, but the other the welcoming of ideas, the absorption of technique and magic. I am melding with oils and potions and astrological phases. It is all welcoming, yes. And safe, but still the outer world has been raw and hard. I am sensitive and unsure of myself. I lay it all out there, though, even as I withdraw. I whisper and worship. That is my way of being right now. I try things I have never tried.

Last week, we mixed anointing oils. I tried to follow the spirit to guide me into a scent I needed--sandalwood, and ylang ylang, and other things that eventually made it smell like sweet death. I poured it down the drain, caught the little kyanite, pietersite, and smoky quartz I saved for just such an occasion. I felt stupid to not smell in a discriminating, intricate way. It felt like a philistine and a boar.

I become a student. That is an identity and way of being, but still, I am not sure what I am. And that is a painful, strange place to be. Alice--too large for a room one minute, and much too small to accomplish anything the next. I work on trusting myself to discern, to know, to feel, but it is a groundless country. A nation without footing.

The truth is I ask too many stupid questions, and also I am a know-it-all. And so I am both at the same time. Where I grew up, they used to say about people like that, "Now there is the heva hava who thinks he is the farmer." When I talk to my sponsor about someone who upset me, she always tells me that if I "spot it, I got it." In the last six months, I only spotted self-righteousness and know-it-all ism. The self-righteous know-it-all ticks off my self-righteousness, competitive right-ism, and know-it-all-ism. I began trying to change it. To mantra the phrase, "Would you like to be right or happy?" Keeping my mouth shut makes me cry. I feel powerless again. I feel emasculated. I feel impotent.

All these sex terms for feeling frustrated, but that is where I am. Fucking frustrated. It is good place to finally realize something like that before you are insufferable for ninety years, but it is also painful to change that behavior. To always be a student, and not say everything you know when saying what you know is all you know.

I spent my late teens and early twenties saying yes to any experience that came my way. I thought it would make me a better writer later on. I had many conversations with an array of colorful people--junkies, conspiracy theorists, communists, eco-terrorists, criminals, prostitutes, crack addicts, vagabonds, homeless kids, runaways, murderers, heiresses, poets, cops, jazz musicians, laundresses...and now, I feel funny saying, "Yeah, me too. I once cliff dove. I rode in a helicopter to a glacier. I shot an AK-47. I was a rock climber. I smoked Chesterfield Kings." No one really cares. It's not about me. They just want to tell their story, and really, I just want to listen.

Know-it-all storytelling is a habit that I'm finding difficult to break. And being a student that trusts myself.

What habit are you trying to break?