See, I really do dress like a calavera and/or Frida Kahlo whenever I am feeling lonely or strangely unpresent in my skin. Sometimes it coincides with
Dia de los Muertos, other times it is a random day in July. I transform when I paint my face white, not just externally, but I feel stronger, more beautiful. I cannot tell you why. It feels more me than me. Today is Halloween, and tomorrow and the next day
Dia de los Muertos celebrations. I have been writing a bit about my Day of the Dead preparations on my blog
still life everyday.
And today, I am over at
Glow in the Woods where I am talking about the holidays and La Llorona. You know, I really considered reading this piece in face paint for the camera. There is a lot of Spanish words in the piece. I think it might give it that oomph, but perhaps you can tell me if that would be cool.
This year, I thought I might just dress like La Llorona, but knowing probably no one really knows who she is here, I thought it might ruin the whole dressing up thing. I am just a ghost to them. I'm going to share the background of how I became acquainted with La Llorona, hoping my ex-husband doesn't mind me sharing about his family a little. (I adore and adored them like they were my own. Just like I adore his wife, just like she were my wife. Wait, that came out wrong.)
I didn't grow up with La Llorona. She came to me one night
over some almond tequila on the border town of Nogales,
Arizona. I was nineteen. My
ex-husband's abuelo told us the story as we sat around the table after dinner.
My Spanish was strong then, but I struggled with unexpected words, particularly
when his tia told a story that heavily featured a mono. I couldn't
figure out what she was talking about.
I whispered to my husband, "Is she talking about
monkeys?"
"Yes."
"Okay. I thought I was missing something."
His grandfather had a thick white mustache and thick white
hair. I met him only a few times in my life, but I loved him with that deep
soul respect you get when you meet a kindred spirit. He created artists and
thinkers and writers. My ex-husband's aunt dressed like Frida Kahlo on random
days when the spirit of the great artist moved her. My ex-mother-in-law created
vibrant, large paintings of Navajo medicine men and rituals of the desert. When
she created sculpture, she hiked to the mountain to dig her own clay out of a earth.
She told me you can only create from your soul when you include your sweat. The
old man, El Viejo, worked for the Southern Pacific Railroad as they
carved its path through Arizona.
We had dinner with his grandparents this night. As the
candles flickered, everyone began telling ghost stories. I sipped my tequila
and translated in my head. El Viejo talked with his whole face,
his hands gesturing as he told his stories. His story was about La Llorona, the
Wailing Woman. He left his house in Nogales
to drive to work in the back of a truck with four other guys. It was before
dawn, and the trip took hours. In those days, the arroyos ran with water, and
even small ponds were around Southern Arizona. Cattle
farming has eradicated most of the water in the area now, but here and there,
you would find veins of water, as precious now as the gold that once drew
people there. El Viejo saw something on the small pond they passed. He told the
driver to stop, and they all gaped. It was La Llorona, the Wailing Woman,
walking along the edge of the pond. Though walk, perhaps, is misleading, she
hovered and wailed. She stared right
into the Old Man's eyes. She was so beautiful, so white. She cried, "Dios
mio, mi hijos! Mi Hijos!" She screamed, and the men shook in their boots.
Tore off in the truck. La Llorona.
My ex-husband told me that every viejito has a story of seeing
or hearing La Llorona. La Llorona
means the Wailing Woman, the Crying Woman. The old people hear someone wailing, "Oh God, my
babies, my babies" somewhere in the night. It is a ghost story, a
nightmare, to lose your children. La Llorona is a warning told to children. Do
not venture out at night or La Llorona will snatch you. (Us, babylost mamas,
want any child to take as our own. We are so grief-stricken we will mistake you
for the one gone too soon.) It is a warning to mothers--do not foresake your
children. See, La Llorona was a woman named Maria. And she had many children.
The father left, and Maria fell in love with another man, who grew jealous of
the children, so she drowned her children to be with the man. She is punished
for eternity by having to search the arroyos and lakes, swamps and ponds of the
world searching for her children. I never believed that version. The other version of that story is
that all her children were washed away in a flash flood in the arroyo. And she
wanders the Earth grieving, screaming. Now that is a legend I get. La Llorona mourns,
walks along banks and cries for her babies. Mis hijos. Mis hijos.
Anyway, hope you enjoyed a ghost story today.
A toast to communing with ancestors!
