Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts

Saturday, July 27, 2013

Kindness Day Crystal Grids






If you have a moment, use these grids for a tonglen meditation or prayer session. I have decided to share this before I go into my painting meditation session, so others can hold these parents, themselves and those they love in healing light and energy. If we are doing this together, the healing energy will be amplified, cascading through the universe. This year, I am painting over thirty paintings. I will be in meditation all day, and through this time, I will be holding these people in prayer and meditation. Later, I will send each person a painting. I do this once a year (sometimes twice). And I am honored to do this work.

As a crystal healer, I feel it is important to set this intention and sacred space with crystals, and create grids, as you see above, to amplify the prayer, reiki and meditations I am doing. These can be used by you as well. You just use it as a soft gaze point in your meditation.

The heart grid is for grief and healing of the heart chakra. It is held for all parents, siblings and families grieving the loss of their baby or babies. For a tonglen, you can breath in their suffering, let it sit in your chest, and breathe out love, or healing, or compassion. This is a meditation to help alleviate suffering. I have written about it a few times. The term Tonglen means giving and taking, and as we meditate with take the suffering into us and give relief, even temporarily, to the sufferer. I have been meditating tonglen since my daughter died. My therapist, a Buddhist, taught it to me as a way to have self-compassion. It has worked. I began using Pema Chodron's CD, Good Medicine. This changed my life. I share tonglen with people whenever I can, because it is so powerful, so healing, so opening...it invites me to get out of my own way.

In the bottom grid, the medicine wheel healing grid, it is for all healing and connection. I have spoken the names of the people who specifically requested they be included, but I also included all those who I have forgotten to mention and all of humanity. (We all suffer.) I am also performing tonglen for this session.

I do these paintings and spend this day in prayer and meditation in memory of my daughter Lucia Paz, who left us far too soon, but who connects me to so many around the world. Her grace and life continues to ripple through the world. You can do a MISS Foundation Kindness Day Random Act of Kindness. It is a day specifically set aside to do anonymous and out in the open random acts of kindness in your child's name. Find out more information here.



Wednesday, November 21, 2012

protection from cynicism

I rub my finger callouses along the table.

These old fingers peck and strum and emote. I always sing, even though I am a terrible singer. Gilda Radnor took singing lessons in the last year of her life, after she was diagnosed with terminal cancer. She always wanted to sing and so she went to a teacher. She didn't do it for a role, or to sing for anyone. Just for herself. Some weeks, I sit and fantasize about that. Would singing be my wholly selfish indulgence? How self-conscious I have always been about my voice, but how deeply satisfying it is to sing loudly. And in the end, I think I sound fine when I'm alone and no one is listening. It is an ego koan.

What is the sound of Angie singing alone in the forest? Beautiful.

In the time before mirrors and you tube and the eternal quest for self on the internet, did we judge what we looked like? Were we wrinkled and hated it? Were we too fat? I look at myself without mirrors and feel beautiful, fine, goddess-like some mornings, then I have a conversation with an angry someone about fat people, and realize how susceptible I am to the mirror of other people's words. Frankly, I'm embarrassed about that too.

I took my guitar with me to my mother's and unself-consciously sang songs with my daughter, or alone. It felt delicious. My family was emotionally tender and my daughter and I made the room cry. Even I cried. Grief singing. I couldn't go on. It had been ten years since my mother heard me play and sing. Back when I could only play Doll Parts then Jane Says on an unplugged electric guitar, and I whispered the lyrics, if I sang them at all. I admit now my punk rock roots have morphed into songs by Joni Mitchell, Tracy Chapman, Leonard Cohen, Stones, the Velvet Underground. 

These rough fingers run down my husband's cheek and he smiles. 

I love when you play guitar.

You do?

Yes. It feels like home.

My soul callouses are worn down, softened. It makes hurts more hurt-y, but it is for the best. I'm not going to work on those cynical chords that recreates the hardness I wore proudly. Sam comes out of left field right after the dude and the conversation about fat people, just when I am feeling shitty and isolated, and says something amazing. He kisses me and tells me that I am gorgeous. Then he asks me if I feel lucky that I am not married to that man.

Oh, you are a mean old daddy, but I like you.

My husband is growing a beard for me and took next week off. After months of sixty hour weeks, I will scratch his whiskers and sit on his lap and call him our Old Man. I keep singing these songs about heartbreak and none of them are about what I think they are about. They are about something beautiful and hopeful.

We wanted to take a trip during his time off. Iceland, we begged. Then just to drive west. To California. The sequoias that swallow cars. Or into the cold rain forest, bed down on some mossy nook, make a sad fire, and sing songs about how we are each other's sunshine. I guess it is kind of square to talk about Joni Mitchell and making a fire. I don't care anymore. I gave up feel self-conscious about squareness when I turned thirty-eight. It didn't work out. The trip, I mean. Travel and gypsy campers, but the thought was enough. We have bills after all, and Christmas gifts. We have this home we built with its strange long horns and collection of small dead insects.. 

I pull a talisman card and it says, "Protection from cynicism." I need that more than any prayer. Maybe that is the prayer:

Help me release cynicism and cranky irony and sarcasm.
Help me let go of the bitter ennui that is the bedfellow of the eternally cool. 
Let me release the cynicism about where I fit in. 
Help me remember that I fit in here. With the bearded man and his barefoot kids dancing to Joni Mitchell's love songs, the ones that sound exactly like break-up songs.

I bought a horn pitcher at an antique shop. It was for my husband's birthday, but on the day, I didn't give it to him. It seemed a little strange, and besides what will we do with this thing? I put it on my altar, and today I had the strong urge to give it to him. So I did. He told me it was perfect to have in our collection of weird antique things. 

I didn't start out writing about my husband. I read the Shack this week. I cannot tell you how many times it has been recommended to me, the pluralist babylost gypsy. I'm not sure what I think of it, but forgiveness and love and the ideas of judgment were more than appealing. And yet there was this deeply cynical part of me that felt self-conscious reading that book at all. It is the wanting-to-be-cool part of myself. Can I divorce that from what I felt about the book? As I read, that part reared up and wanted to tell the book to Fuck off, and throw it, and listen to music that no one has heard of yet. And so I am still parsing out what I think, but I keep the talisman across my chest.

This week I began meditation paintings other than jizos or about grief. It felt strange and liberating and fulfilling. In that space of letting go of cynicism, it made me feel like I was finally be authentically me. And a year ago, painting angels would have felt like anything but the me I thought I was. I am working on releasing cynicism, and non-forgiveness, but it is a long hard road. I keep singing California, even when not at the guitar, and it makes me miss a place I never loved, and a woman I never looked like.

Thursday, January 26, 2012

about my artwork.

Today, I am honored to be guest posting over at Faces of Loss, Faces of Hope for their January create. heal inspire. series on creativity and grief. January is International Creativity Month. I am also giving away a mizuko jizo painting over there. So go over there. Comment. Win something. Actually, check out the whole series, because it is beautifully done, like everything at FOL/FOH. Beryl has done an amazing job organizing this month of creative mamas.

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Now, a few words about my art in general. A few weeks ago, I mentioned closing my Etsy Shop so I can focus on my writing. I said it in this general, oh-maybe-soon-I-will way. In lieu of a few requests and comments from people, I thought I would take a few weeks before closing shop to offer custom work to grieving people as well as sell the work I have around the studio. I will be open to do custom mizuko jizo paintings for the next two weeks. I am aiming to be done around Valentine's Day, but will stay open longer if I get a ton of requests. I am putting aside writing to offer this to the grieving parents that I love, because I noticed a few parents favorited my shop on Etsy and the custom listing, and I didn't want you to be surprised if you went back and the gypsy caravan has packed up and the carnival left town.

Mizuko jizos hanging across my studio
for Intl Kindness Project Day
I have explained what mizuko jizos are on this blog before, and tonglen meditation. My painting process is part of my spiritual practice, as many of you know. Tonglen mediation is a meditation where you connect with suffering--your own suffering and the suffering of others. You breathe in the suffering, and breath out relief, happiness, joy, compassion to the suffering. The idea is to carry the burden, lessen others suffering. It is slightly oppressive and uncomfortable to carry suffering, to feel pain of others' situations and grief, but also very healing. In the end, it helps you become comfortable around suffering and dissipate the fear of your own suffering. Because I lost a child, I tap into the early grief energy, the rawness of it, and touch that. When I do custom work, I focus on that individual family, or mother/father, and send a kind of grounding to the family. I also keep that child's name as a mantra in my mind, as well as Lucy's name. Then I paint, in a quiet studio, alone, with a candle for the babies and incense. When I do a large, general painting session, I meditate for grieving parents as a general group. And paint many paintings at the same time.


Greeting cards after a tonglen session..
I have been doing this type of meditation painting for three years now. Well, almost three years. After Lucia's death. Everything converged for me in the late spring after her death when I began painting mizuko jizo for my own Lucia's mizuko kuyo, or ritual for remembrance. Around the same time, I saw my Buddhist therapist who was helping me relearn meditation after her death. I was having trouble sitting still, and he gave me some amazing meditation techniques. It was during one of our meditation sessions that he taught me tonglen, and said that my connecting with other women on-line sounded like tonglen. I had never heard of it, and was intrigued. Helping others always helped me cope with suffering. I bought Pema Chodron's Good Medicine which is an explanation of tonglen.(Here is a quick article that explains it quite nicely.) In another session, the same therapist suggested that I think of painting as my daily meditation. He said that it is a strong legacy in Buddhist tradition to have artists who use painting as a type of working meditation.

My paintings have been integral to my daily life, just as meditation has been. To let it go feels scary and important. For me, the daily Etsy demand is very low. But when it comes, it requires me to drop my current deadlines and work, then focus on painting. Particularly because the payment is up front, so I feel I must meet the two day turnaround I promise. And yet, I have to say, painting for grieving parents and grandparents has opened up a new, beautiful, spiritual world to me, and gave me a spiritual grounding and center that felt like the missing link in my life for a long long time before Lucia's death. I am forever indebted to the parents who trust me with their babies, and allow me to paint for them.


Painting, before my studio.
With bangs and pregnant with Thor.
Fall, 2009.

AND so, for the next two to three weeks, I will focus on painting, as I close this chapter, FOR NOW. I know I will continue painting, and I may paint again on Etsy after that, but I just want to set it aside for now. So, I have some paintings (4"x6" watercolors, and 5"x7" watercolor greeting cards, perfect for babylost friends for birthdays, sympathy cards or anytime cards) in my studio that I am selling for $15 a piece. Custom pieces are priced differently, and we can discuss prices. If you are interested in a custom piece, or a meditating mama, or another painting, please do not hesitate to contact me at uberangie(at)gmail(dot)com. We can work on something together for you. I also will be selling my acrylic pieces that appeared in the show five. in Lancaster, PA, this month.


From five.

I have decided that on July 27th, as part of MISS Foundation's International Kindness Project, I will do a large meditation session and paint 4"x 6" mizuko jizos to give away to grieving families. Last year, I painted 28 jizos for grieving families. I offer that through the comment section of this blog, the comment section at MISS Foundation, and on my Facebook page. (Angie Kenna Yingst.) That won't happen until July, though.


Thank you all for the support and love you have given to my painting and work. It has meant the world.